Eye on New Releases: May 22th, 2012

 You don't need to wait in "Longlines" to climb to the top of Mount Eerie with this weeks releases!

Label: P.W. Elverum & Sun
Album: Clear Moon
Artist: Mount Eerie
Genre: Alternative

Mount Eerie’s new album, Clear Moon, is a resonant body of work that explores the possibilities of sound depth. Although the genre of this release is “Alternative”, don’t mistake Clear Moon to be just another rock record.  While tracks like “House Shape” and “Through The Trees pt. 2” glow with alterna-rock accessibility, others like “the Place I Live,” and “(something)” are more ambient and contemplative.  Phil Evernum, the creative force behind Mount Eerie, recorded Clear Moon entirely in analog, inside of a church-turned-studio in Washington called, “the Unknown.” The result is a cathedral-like sound where drums, gongs, and synthesized strings echo freely without muddling the hauntingly suspended vocals.  Through its eleven tracks, Clear Moon is dense and rich like an untapped vein of precious metals.  Despite its soft and unobtrusive feel, which make it ideal for background music, the complexity of every minute promises to make this release one worthy of multiple deep listenings.

Label: Moodgadget Records
Album: Longlines
Artist: Nitemoves
Genre: Electronic, Synth-Pop

Longlines, Nitemoves new release, eschews the traditional tropes of electronic music in favor of a slow-cooked digital flavor.  Ditching the high-faluting synths for square and triangle wave dominant leads, “Port Au Prism” and “Tertre Rouge” are guaranteed hits for fans of the lo-fi synth-bop sound. That said, Longlines has plenty to offer to fans of all varieties of electronic music.  Longer tracks like “Broken Cub” and “AMRAAM” are continually evolving biomes of sound, pulsing with life and unbridled character, without damaging their accessibility.  The second track, “Challenger,” is the albums most likely single, with it’s gradually building intensity, danceable beat, and skillfully utilized vocal samples.  To pick a single, however, would be to wrong-headedly separate this release into multiple sections.  Truly, Longlines is best experienced as a continuous whole, and not as a handful of estranged tracks.